I have an new article out at ReadySteadyBook: Hans Blumenberg and His Myth Science Arkestra.
I tried to give a reasonably concise introduction to his work. There are many nuances and complications that I left out, but I think I had a good go at describing why is work is significant and relevant.
Hans Blumenberg was one of the most searching, omnivorous scholars and philosophers of the 20th century. His fundamental inquiry was simple and universal: “How do we come to terms with reality?” In attempting to answer this question, his books on myth, metaphor, science, and culture invoke an intimidating breadth of knowledge, plucking obscure quotes from obscure figures in multiple disciplines through the whole history of western civilization. Obscure theologians and astronomers brush up against James Joyce, Plato, Vico, and Goethe.
Blumenberg was one of those rare figures, like Robert Burton or Goethe himself, who was able to read widely across disciplines and time periods while maintaining a detailed sense of the internal conflicts and complexities of each particular domain….
Blumenberg’s departure point is what he terms “the absolutism of reality.” In his magnum opus Work on Myth, he defines the moment at which humanity faced absolute reality as the point at which humanity could no longer run away from the threats that it posed:
If we have to seek man’s origin in the category of animals that ‘flee,’ then we can comprehend that before the change of biotope [from jungle to savanna] all signals that set off flight reactions would indeed have the power of fear but would not have to reach the level of a dominating condition of anxiety, as long as mere movement was available as a means of clarifying the situation. But if one imagines that this solution was no longer, or no longer constantly, successful, then from that point onward the situations that enforced flight either had to be dealt with by standing one’s ground or had to be avoided by means of anticipation.