Fun with Consciousness

I love the philosophy of consciousness. Is there any other field of philosophy that proceeds with so few objective reference points, where people spend so much time fighting over pure first principles? Yes, probably, but they aren’t as interesting to me as consciousness. Some (like a certain eliminativist I was arguing with earlier tonight) argue for its nonexistence; others (Descartes, anyone?) argue that it’s all that there definitely is. And throughout, language is thoroughly inadequate of providing referentiality to any of it. Late Wittgenstein isn’t the only one who would agree with that; early Wittgenstein would agree too.

Quick crash course for those who are not quite as obsessed with these things: consciousness = internal, subjective experience. It means that when I poke you, you don’t only react with behavior indicating pain (yelping, yelling, etc.), but you also have some internal, private sense of actual pain. These two things, as one can read over and over in later Wittgenstein, have no apparent necessary connection to one another. But at least for me, it’s a rather significant assumption I make that other people have rather similar private subjective experience to mine that matches up with their behavior in similar ways.

See also Thomas Disch’s Fun With Your New Head. “Taste, see, smell, and ‘pain’ with a HEAD. Every minute is different from the next minute in incredible thought-chaos of a HEAD.”

Steven Shaviro reviewed a new s-f novel called Blindsight by Peter Watts. It sounds a little pulpy, and it’s unlikely that I’ll get around to it any time soon, at least not until I finish Thomas Metzinger’s marvelous Being No One. But Shaviro has conveniently described some of the consciousness aspects that come into play:

What really distinguishes the aliens is that they are zombies: not in the George Romero, living dead sense, but in the sense that the term has been used by cognitive science and the philosophy of mind. A zombie is a being who acts just as you or I do, who shows clear signs of language, intelligence, and so on; but who is inwardly devoid of sentience or consciousness. It’s the old Cartesian/solipsist dilemma: I know that I have consciousness, interiority, and a sense of self; but how do I know that you have all these things? For all I know—since all I really know (according to Descartes) comes from introspection, everyone else in the world may well be a machine, or an automoton, only simulating consciousness.

Now, there’s a caveat here, in that the aliens aren’t actually philosophical zombies, because these aliens don’t act like you or I do, or even as conscious aliens would. Watts provides clear behavioral indicators for what non-conscious intelligent beings would act like and how they would differ. I’ll get to those in a moment. A real zombie, in the sense that David Chalmers and all put it, requires the assumption that there are no behavioral or linguistic (or even neurological) cues that peg someone as having subjective experience or not. The Waggish-zombie would claim to be conscious, just as I do.

Given the possibility of true zombies, consciousness is epiphenomenal, i.e., it has no bearing whatsoever on physical events. Epiphenomenal consciousness lacks causal force, and it is superfluous to any causal chain of events. This leads to some fairly bizarre scenarios, like this one that Raymond Smullyan describes (he actually uses it against dualism, but it works against epiphenomenalism as well):

Then came the discovery of the miracle drug! Its effect on the taker was to annihilate the soul or mind entirely but to leave the body functioning exactly as before. Absolutely no observable change came over the taker; the body continued to act just as if it still had a soul. Not the closest friend or observer could possibly know that the taker had taken the drug, unless the taker informed him.

Then a person who wishes to have no more subjective experience (to escape various pains and traumas), but not to hurt anyone by committing explicit suicide, takes the pill. And of course, he promptly says, “Damn, it didn’t work!”

Right then. Epiphenomenalism also leads to boring books! Reading about the difference between people who do and don’t have consciousness but act the same either way is not terribly exciting. (Actually, I can think of one way in which it would be interesting, but I’m keeping it a secret in case I write about it some day.) So Watts cooks up a few differences to keep things going:

By the end of the novel, the difference between conscious beings and zombies seems to be that only conscious beings possess aesthetics. The aliens in the novel are a bit like logical positivists: they have no aesthetic sensibility, and find aesthetic and affective statements to be, strictly speaking, meaningless. They can carry on complex conversations, despite not “understanding’’ what the words mean; but they can only regard non-functional expressions as a sort of spam. In this way, Watts’ Darwinism ends up confirming Kant: the defining attribute of the aesthetic is that it is unavoidably “disinterested,’’ that its purposiveness of structure serves no actual (empirical or utilitarian) purpose. In other words, an aesthetic sensibility — which at this point we can pretty much equate with consciousness tout court — is not an evolutionary adaptation, but mere nonadaptive byproduct.

Again, though, this is ultimately an arbitrary and suppositional distinction. There’s no necessary reason why beings without consciousness and subjective experience couldn’t have an aesthetics, just as there could well be an aesthetics amongst a group of people who each saw a different color of the spectrum. Under Wittgenstein, aesthetics remains a series of rule-application speech acts, wholly independent from private subjective experience.

Shaviro hypothesizes that it is putatively nonadaptive behavior like aesthetics that constitutes “human-ness,” but I’m frankly surprised that a Marxist like him would claim that aesthetics ever indeed is disinterested. (He may simply be playing this out as a consequence of Watts’s views.) Yet the moment consciousness becomes more than purely epiphenomenal, it is completely up for grabs as adaptive, precisely because it must manifest itself in particular types of behavior, but without any contingent restrictions on what those behaviors could be. To imply a particular link between consciousness and certain types of behavior (such as the mirror test, which proves self-awareness but hardly indicates anything about subjective experience) is wholly speculative. The epiphenomenalists go too far in the other direction by saying that there cannot be any necessary connections between behavior and consciousness; the answer is that we simply don’t know yet.

Now, the book is speculative fiction; my issue is that the speculation assumes too much. This is no worse a sin than many consciousness philosophers and neurologists, but as a hypothesis for behavioral differences, I don’t find the aesthetics argument particularly compelling at first glance. If there were general behavioral differences between beings with and without subjective experience, my intuition suggests that they would be far greater than mere aesthetics, and I’m all for the next writer who wants to take a shot at guessing what they would be.

29 October 2006, 06:53 |

Comments

  1. Discussions of consciousness would benefit from having a time limit. For example:
    Consciousness A--any amount of time up to a hundreth of a second duration
    Consciousness B--1/100 up to a quarter
    Consciosness C--1/4 to 1/2 second,
    and so on.

    The leverage point where consciousness determines behavior is the one where enough time has elapsed for alternative behaviors to be weighed and chosen between. Long enough to be around for working memory. That is consciousness' raison d'etre, why evolution allowed it. Anything enduring over less time than that can be handed over to eliminativsts. Or not. It makes no difference.

    The discussions without time frames remind me of silly epistemological discussions in the 60s, before "psychologism" (or reality, if you prefer) was allowed into discussions. What do we see when we see an orange? Well, time and motion make all the difference in the world. Stabilize the retinal image to eliminate saccades and we just see some geometrical fragments. Etc.

    — david mccullough · Nov 27, 08:17 PM · #

  2. fetched, but not far. a buddhist would tell you that you are a zombie and have no idea what it means to be awake. sadly you think you are awake. as for aesthetics, duh!

    — Betsy Pross · Aug 8, 02:15 AM · #

Commenting is closed for this article.

L'Archive du Mal   |   Miklos Jancso: Winter Wind (Sirokko)


About

Waggish is David Auerbach. He lives in New York with 5000 books and is running out of room.

Mail Waggish

Search


RSS | Atom

100 Most Recent Essays
  • Barbara Comyns: The Vet's Daughter
  • J.M. Coetzee: Summertime
  • Gabriel Josipovici: Everything Passes
  • Joyce and the Past
  • Michael Haneke: The White Ribbon
  • John Williams: Butcher's Crossing
  • Three Versions of Conservatism
  • Jean Eustache: Mes petites amoureuses
  • Dennis Potter: Blue Remembered Hills
  • Isak Dinesen: The Dreamers
  • Kleist on Speech and Thought
  • Montaigne: Apology for Raymond Sebond
  • Blumenberg and Husserl
  • Teshigahara and Kobo Abe: The Man Without a Map
  • John Williams: Augustus
  • Hans Blumenberg: Former Reflections Enduring Doubt
  • Further Last Thoughts on Roberto Bolano's 2666
  • Last thoughts on Bolano's 2666
  • Ferenc Karinthy: Metropole + Thomas Glavinic: Night Work
  • Nikolai Leskov: The Enchanted Wanderer
  • Nagisa Oshima: More Films
  • Nagisa Oshima and Other Japanese New Wave Films
  • Bessie Head: A Question of Power
  • Attila Bartis: Tranquility
  • More Notes on Roberto Bolano's 2666
  • Notes on Roberto Bolaño: 2666
  • An Interview with Lisa Samuels on Laura Riding and Poetry (Part 3)
  • An Interview with Lisa Samuels on Laura Riding and Poetry (Part 2)
  • An Interview with Lisa Samuels on Laura Riding and Poetry (Part 1)
  • John Williams: Stoner
  • Shchedrin: The Golovlyov Family
  • Donald Philip Verene: Knowledge of Things Actual And Divine
  • Southland Tales
  • Faulkner's Light in August and Coetzee's Disgrace
  • J.M. Coetzee: Diary of a Bad Year
  • Ernst Cassirer on Art Public and Private
  • P.F. Strawson: Freedom and Resentment
  • More on Gene Wolfe
  • Harry Partch: Delusion of the Fury
  • Gene Wolfe: The Book of the New Sun
  • Richard Hughes: A High Wind in Jamaica
  • Sellars on Following a Rule
  • Robert Walser: The Assistant
  • Occurrences at Owl Creek Bridge: Beyond the Zeroes
  • Carol Polsgrove on Ralph Ellison
  • Grondin on Gadamer
  • Occurrences at Owl Creek Bridge
  • Richard Rorty: Philosophy and the Mirror of Nature
  • Richard Rorty, 1931-2007
  • Jerry Fodor on Galen Strawson on Consciousness
  • Gadamer on Hegel and Language
  • Roberto Bolaño: Amulet
  • Hegel and Wittgenstein
  • Roberto Bolaño: The Savage Detectives
  • The Fall and Romanticism
  • Albert O. Hirschman: Exit, Voice, and Loyalty
  • Cesar Aira: An Episode in the Life of a Landscape Painter
  • Hegel's Conservatism (and McGoohan's Too)
  • Vladimir Sorokin: Ice
  • The Basic Conservatism of Hegel
  • Hegel and Stoicism
  • Kafka: Diogenes
  • Choose Your Own Philosophical Adventure #1: Escape from the Dialectic
  • Miklos Jancso: The Lord's Lantern in Budapest
  • Miklos Jancso: God Walks Backwards
  • Miklos Jancso: Winter Wind (Sirokko)
  • Fun with Consciousness
  • Magdalena Tulli: Moving Parts
  • Hugo von Hofmannsthal: An Incident...
  • Joanna Russ: We Who Are About To... [Die]
  • Finnegans Wake: The Book of Lists
  • Ecumenicality
  • David B.: Two Stories
  • What's Missing from Finnegans Wake
  • Laszlo Krasznahorkai: War and War
  • The Fifth Horseman is Fear
  • Christopher Priest: The Affirmation
  • Inquest on Left-Brained Literature
  • More Books on the (Finnegans) Wake
  • Carl Schmitt
  • Shohei Imamura 1926-2006
  • The Books on the (Finnegans) Wake
  • Gnostic Children's Books
  • Finnegans Wake and Little, Big
  • Reflections in/on Finnegans Wake
  • Godard: Masculin-Feminin
  • Dino Buzzati: The Tartar Steppe
  • Ilya Khrzhanovsky: 4 (Chetyre)
  • Stanislaw Lem (1921-2006)
  • Anne Stevenson: In the Museum of Floating Bodies and Flammable Souls
  • Hiroshi Teshigahara: The Face of Another
  • Samuel Beckett: How It Is & Ping
  • Elaine May: A New Leaf
  • Bela Tarr: Satantango [3]
  • J.M. Coetzee: Slow Man
  • Harold Brodkey
  • Bela Tarr: Satantango [2]
  • Bela Tarr: Satantango
  • Gabriel Josipovici: In a Hotel Garden
  • Erich Auerbach: Mimesis 1

Work in Progress
  • Waggish Reads Proust
  • The Novel: 206,000 (first draft finished)
  • The Novel, revised: 182,000 and done for now

Comment
  • Jake (Jules Feiffer: Backing Into Forward, A Memoir)
  • twirlip (The Simpsons perform The Coen Brothers' "A Serious Man")
  • Hannah Stoneham (Barbara Comyns: The Vet's Daughter)
  • Colin Marshall (The Simpsons perform The Coen Brothers' "A Serious Man")
  • Sam (The Simpsons perform The Coen Brothers' "A Serious Man")
  • Ryland Walker Knight (The Simpsons perform The Coen Brothers' "A Serious Man")
  • Patrick Harris (Maryla Jonas Plays Chopin)
  • Jake (Michael Haneke: The White Ribbon)
Please Read
  • Blind Pony Books
  • Cahiers de Corey
  • Chekhov's Mistress
  • Complete Review
  • Dispatches from Zembla
  • Eudaemonist
  • The Existence Machine
  • Flowerville
  • Fortunes of the Dialectic
  • Geegaw
  • Gentle Reader
  • Georgy Riecke
  • Golden Rule Jones
  • A Journey Round My Skull
  • Le Colonel Chabert
  • Letters from a Librarian
  • Mumpsimus
  • Nightspore
  • Pseudopodium
  • The Reading Experience
  • ReadySteadyBook
  • snarkout
  • Spurious
  • Stochastic Bookmark
  • Tabula Rasa
  • This Public Address
  • This Space
  • Times Flow Stemmed
  • Three-Toed Sloth
  • Vinyl is Heavy
  • With Hidden Noise
  • wood s lot

Credits
  • Banner by David B
  • Design by geegaw
  • CSS by snarkout
  • CMS by Textpattern

Archives
  • January 2003
  • February 2003
  • March 2003
  • April 2003
  • May 2003
  • June 2003
  • September 2003
  • October 2003
  • November 2003
  • December 2003
  • January 2004
  • February 2004
  • March 2004
  • April 2004
  • June 2004
  • September 2004
  • October 2004
  • November 2004
  • December 2004
  • January 2005
  • February 2005
  • March 2005
  • April 2005
  • May 2005
  • June 2005
  • July 2005
  • August 2005
  • September 2005
  • October 2005
  • November 2005
  • December 2005
  • January 2006
  • February 2006
  • March 2006
  • April 2006
  • May 2006
  • June 2006
  • July 2006
  • August 2006
  • September 2006
  • October 2006
  • November 2006
  • December 2006
  • January 2007
  • February 2007
  • March 2007
  • April 2007
  • May 2007
  • June 2007
  • July 2007
  • August 2007
  • September 2007
  • October 2007
  • November 2007
  • December 2007
  • January 2008
  • February 2008
  • March 2008
  • April 2008
  • May 2008
  • June 2008
  • July 2008
  • August 2008
  • September 2008
  • October 2008
  • November 2008
  • December 2008
  • January 2009
  • February 2009
  • March 2009
  • April 2009
  • May 2009
  • June 2009
  • July 2009
  • August 2009
  • September 2009
  • October 2009
  • November 2009
  • December 2009
  • January 2010
  • February 2010
  • March 2010