Check out all of the posts tagged with "oshima".
That is the opening to Hiroshi Teshigahara’s The Man Without a Map, better known in its English novel translation as The Ruined Map. The amazing cutup music is by Toru Takemitsu. It’s the final of ...
Violence at Noon (Oshima, 1966): Aesthetics triumph. Oshima aggressively shoots black and white Cinemascope in almost exclusively close-ups or wide shots, most of them quite short, and combined with a dissonant orchestral score (not familiar ...
There have been two retrospectives of Oshima recently in New York, as well as a brief New Wave overview at the Japan Society. Most of these films aren’t readily available, and for Oshima at least, ...
Imamura deserves much more space than I can give him here, and one should start at this overview, with some great quotes: I am interested in the relationship of the lower part of the human ...
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