Check out all of the posts tagged with "film".
That is the opening to Hiroshi Teshigahara’s The Man Without a Map, better known in its English novel translation as The Ruined Map. The amazing cutup music is by Toru Takemitsu. It’s the final of ...
I’ve always thought of Jancso as one of the very few filmmakers, along with Godard, who could turn abstract ideas into visual sequences that could be absorbed without requiring viewers to engage in theorizing themselves. ...
I read these two books consecutively without knowing that they both try to address a particular problem in novels, and not knowing that one succeeds and one fails. The problem is that of a novel ...
Violence at Noon (Oshima, 1966): Aesthetics triumph. Oshima aggressively shoots black and white Cinemascope in almost exclusively close-ups or wide shots, most of them quite short, and combined with a dissonant orchestral score (not familiar ...
There have been two retrospectives of Oshima recently in New York, as well as a brief New Wave overview at the Japan Society. Most of these films aren’t readily available, and for Oshima at least, ...
Here are three that Wikipedia lists and a fourth I dug up. There must be many others that use serialism at least partly, but I don’t know them offhand. Anyone want to chime in? Benjamin ...
This book just won the Three Percent Best Translation of 2008 prize, and while I can’t speak to the translation (though I have it on good authority that it’s excellent–thanks GJ), I was happy to ...