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Cultural Illogic: David Golumbia and The Cultural Logic of Computation

David Golumbia does not like computers. Toward the end of The Cultural Logic of Computation, after lumping computers and the atom bomb into a single “Pandora’s Box” of doom, he observes:

The Germans relied on early computers and computational methods provided by IBM and some of its predecessor companies to expedite their extermination program; while there is no doubt that genocide, racial and otherwise, can be carried out in the absence of computers, it is nevertheless provocative that one of our history’s most potent programs for genocide was also a locus for an intensification of computing power.

This sort of guilt by association is typical of The Cultural Logic of Computation. The book is so problematic and so wrong-headed as to be shocking, and as philosophical and cultural excursions into technological analysis are still comparatively rare, the book merits what programmers would term a postmortem.

Throughout the book, Golumbia, an English and Media Studies professor who worked for ten years as a product manager in software at Dow Jones, insists that computers are creating and enforcing a socio-political hegemony that reduces human beings to servile automatons. They aren’t just the tools of oppression, they oppress by their very nature. Golumbia attacks the encroachment by “computation” on human life. He defines “computation” as the rationalist, symbolic approach of computers and logic.

Or at least he seems to sometimes. Other times “computation” stands in for an amorphous mass of cultural issues that just happen to involve computers. Much of the the book focuses on political issues that don’t bear on “computation” in the least, such as a tired attack on Thomas Friedman and globalization that adds nothing new to Friedman’s already-long rap sheet. Golumbia spends ten pages criticizing real-time strategy games like Age of Empires, complaining:

There is no question of representing the Mongolian minority that exists in the non-Mongolian part of China, or of politically problematic minorities such as Tibetans and Uyghurs, or of the other non-Han Chinese minorities (e.g., Li, Yi, Miao).

A true Hobbesian Prince, the user of Age of Empires allows his subjects no interiority whatsoever, and has no sympathy for their blood sacrifices or their endless toil; the only sympathy is for the affairs of state, the accumulation of wealth and of property, and the growth of his or her power.

The critique could apply just as easily to Monopoly, Diplomacy, Stratego, or chess.

Golumbia gives away the game, so to speak, when he implies that connectionism (a non-symbolic artificial intelligence approach used in neural networks) is somehow less politically suspect than the symbolic AI approaches he attacks. In fact, non-symbolic approaches like Bayes networks and neural networks are themselves used ubiquitously in the data mining he (rightly) worries about. Golumbia has confused science with scientism, and computers’ uses with their structure.

Without a critique of the technical side of computers, Golumbia’s book would be just another tired retread of Chomsky, Hardt/Negri, Spivak, Thomas Frank, and the like. Unfortunately, his actual excursions into technical issues are woefully uninformed. A surreal attack on XML as a “top-down” standard ends with him praising Microsoft Word as an alternative, confusing platform and application. He hates object-oriented programming because…well, I’m honestly not quite sure.

Because the computer is so focused on “objective” reality—meaning the world of objects that can be precisely defined—it seemed a natural development for programmers to orient their tools exactly toward the manipulation of objects. Today, OOP is the dominant mode in programming, for reasons that have much more to do with engineering presumptions and ideologies than with computational efficiency (some OOP languages like Java have historically performed less well than other languages, but are preferred by engineers because of how closely they mirror the engineering idealization about how the world is put together).

The lack of citation, pervasive throughout the book, makes it impossible even to pinpoint what this objection means. I’d be curious as to how he feels about functional languages like Lisp, ML, and Haskell, but Golumbia shows no signs of even having heard of them. Unfortunately, XML and object-oriented programming are pretty much his two main points of technical attack, which indicates a lack of technical depth.

Yet Golumbia’s greatest anger is reserved for Noam Chomsky. Golumbia devotes a quarter of the book to him, with Jerry Fodor serving as assistant villain. Somehow, Chomsky’s computational linguistics become far more than just a synecdoche for modern corporatism and materialism; Chomsky is actually one of the main culprits.

To Golumbia, Chomsky is “fundamentally libertarian”; he is a Ayn Randian “primal conservative” who accepted military funding. He has “authoritarian” institutional politics which require strict adherence to his “religious” doctrine:

Chomsky’s institutional politics are often described exactly as authoritarian.

[His work] tends to attract white men (and also men from notably imperial cultures, such as those of Korea or Japan).

The scholars who pursue Chomskyanism and Chomsky himself with near-religious fervor are, almost without exception, straight white men who might be taken by nonlinguists to be ‘computer geeks.’

Golumbia is evidently fond of the ad hominem. Golumbia also associates “geeks” with “straight, white men,” insulting 19th century programmer Ada Lovelace, gay theoretician Alan Turing, and the vast population of queer and non-white programmers, linguists, and geeks that exists today (many not even Korean or Japanese).

Yet Golumbia finds time to praise Wikipedia, founded and run by fundamentally libertarian Ayn Rand acolyte Jimmy Wales. It’s strange for Golumbia to call Wikipedia a salutary effort to demote expert opinion when Wales himself says it should not be cited in academic papers. And strange for Golumbia to see Wikipedia as progressive when many of its entries still come from that well-known bastion of hegemonic opinion, the 1911 Encyclopedia Britannica. (The explicitly racist ones have been scrubbed.)

Beyond the technological confusions, Golumbia’s philosophical background is notably defective. The book is plagued by factual errors; Voltaire is bizarrely labeled a “counter-Enlightenment” thinker, while logicians Bertrand Russell and Gottlob Frege somehow end up on opposite sides: Russell is a good anti-rationalist (despite having written “Why I Am a Rationalist”), Frege is a bad rationalist. (He also enlists Quine and Wittgenstein to his leftist cause, which I suspect neither would have appreciated.) He thinks Leibniz preceded Descartes. He misappropriates Kant’s ideas of the noumenal and mere reason.

Here is a typically confused passage, revealing Golumbia’s fondness for incoherent Manicheistic dichotomies:

In Western intellectual history at its most overt, mechanist views typically cluster on one side of political history to which we have usually attached the term conservative. In some historical epochs it is clear who tends to endorse such views and who tends to emphasize other aspects of human existence in whatever the theoretical realm. There are strong intellectual and social associations between Hobbes’s theories and those of Machiavelli and Descartes, especially when seen from the state perspective. These philosophers and their views have often been invoked by conservative leaders at times of consolidation of power in iconic or imperial leaders, who will use such doctrines overtly as a policy base.

This contrasts with ascendant liberal power and its philosophy, whose conceptual and political tendencies follow different lines altogether: Hume, Kant, Nietzsche, Heidegger, Dewey, James, etc. These are two profoundly different views of what the State itself means, what the citizen’s engagement with the State is, and where State power itself arises. Resistance to the view that the mind is mechanical is often found in philosophers we associate with liberal or radical views—Locke, Hume, Nietzsche, Marx.

So it is not simply the technological material that is the problem. The quality of even the academic, philosophical portions of the book is dismaying, and the general lack of evidence and citation is egregious. Harvard University Press, who published the book, have a fine track record in the general areas that Golumbia inhabits. I am not certain how The Cultural Logic of Computation slipped through, nor how many of its blatant errors were not caught. It is an embarrassment and will only confirm the prejudices of those who feel that the humanities have nothing to offer the sciences but spite and ignorance.

For contrast, Samir Chopra’s Decoding Liberation: The Promise of Free and Open Source Software (Routledge) is an excellent and rigorous examination of some of the political and social issues around software and software development, strong on both the technical and philosophical fronts. I would urge anyone looking at Golumbia’s book to read it instead.

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Chateau d’Argol by Julien Gracq

Gracq’s somewhat decadent, very symbolist French novel from 1938 reads like a cross between Borges and Cocteau.

In telling the story of a trio of youths, two men and one women, who live out an erotic and violent fever dream in a remote house in the middle of a large wood, Gracq remains so abstract, so image-oriented and philosophical, avoiding all discourse direct and indirect, that Chateau d’Argol sometimes comes off as the schema for a much larger Romantic work of feeling and insanity. It is short and relentless.

Its unique strengths and weaknesses are best shown by this quote:

As though borne along by the web of an exalting music, his limbs seemed the prisoners of the fatal laws of a number–although a primary one in every respect–and his step majestic beyond all measure and at every moment plainly oriented, seemed to Albert the materialization, shorn for the first time of all kinds of grotesquely aesthetic veils, of what Kant has caused, mysteriously enough, purposiveness without purpose.

The old translation, by Louise Varese, reads like it was translated extremely closely from the French, as French sentence structure seems evident everywhere. This produces a jarring awkwardness that dampens the spell Gracq is trying to cast, but the consistency of the weird style does eventually create a certain otherworldliness of its own.

Gracq was friends with surrealist Andre Breton but I’m not aware if he knew Cocteau. Will has more on Gracq.

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Thersites, the Iliad, and Not Knowing Your Place

The scene with Thersites in Book II of the Iliad is one of the most famous in the whole epic, and with good reason. Not only is it very peculiar, but it also gives voice to what any young person reading the Iliad for the first time must be thinking: why on earth are all these people getting killed for Menelaus just because someone stole his wife?

Thersites more or less asks what the point of the whole Trojan War is and gets beaten and humiliated for his trouble. Here is the scene, abridged a bit, in Richmond Lattimore’s translation:

But [Thersites], crying the words aloud, scolded Agamemnon:
‘Son of Atreus, what thing further do you want, or find fault with
now? Your shelters are filled with bronze, there are plenty of the choicest
women for you within your shelter, whom we Achaians
give to you first of all whenever we capture some stronghold.
Or is it still more gold you will be wanting, that some son
of the Trojans, breakers of horses, brings as ransom out of Ilion,
one that I, or some other Achaian, capture and bring in?…
My good fools, poor abuses, you women, not men, of Achaia,
let us go back home in our ships, and leave this man here
by himself in Troy to mull his prizes of honour
that he may find out whether or not we others are helping him.
And now he has dishonoured Achilleus, a man much better
than he is. He has taken his prize by force and keeps her….’

So he spoke, Thersites, abusing Agamemnon
the shepherd of the people. But brilliant Odysseus swiftly
came beside him scowling and laid a harsh word upon him:
‘Fluent orator though you be, Thersites, your words are
ill-considered. Stop, nor stand up alone against princes.
Out of all those who came beneath Ilion with Atreides
I assert there is no worse man than you are. Therefore
you shall not lift up your mouth to argue with princes,
cast reproaches into their teeth, nor sustain the homegoing….’

So he spoke and dashed the sceptre against his back and
shoulders, and he doubled over, and a round tear dropped from him,
and a bloody welt stood up between his shoulders under
the golden sceptre’s stroke, and he sat down again, frightened,
in pain, and looking helplessly about wiped off the tear-drops.
Sorry though the men were they laughed over him happily,
and thus they would speak to each other, each looking at the man next him:
‘Come now: Odysseus has done excellent things by thousands,
bringing forward good counsels and ordering armed encounters;
but now this is far the best thing he ever has accomplished
among the Argives, to keep this thrower of words, this braggart
out of assembly. Never again will his proud heart stir him
up, to wrangle with the princes in words of revilement.’

So spoke the multitude….

Moses Finley, in his powerful little book The World of Odysseus, says:

Those final words, “so spoke the multitude,” protest too much. It is as if the poet himself felt that he had overdrawn the contrast. [Homer says that] even the commoners among the Hellenes stood aghast at Thersites’ defective sense of fitness, and though they pitied him as one of their own, they concurred with full heart in the rebuke administered by Odysseus and in the methods he employed. “This is by far the best thing he has done among the Argives” indeed, for Thersites had gnawed at the foundations on which the world of Odysseus was erected.

And indeed, it’s pushing it to have the other commoners praise Odysseus and ridicule one of their own. Another odd note is sounded by having it be Odysseus, easily the slimiest of the aristocratic warriors, administer the rebuke. Odysseus got a lot slimier after Homer, with the introduction of stories about him framing Palamedes for treason and getting him stoned to death. Still, he’s about the last person you’d expect the commoners to cheer for, especially compared to the far more appealing Achilles.

On the other hand, this might well be what you’d expect the multitude to say if they were completely cowed by a social system privileging an aristocratic upper class of princes, either out of fear or false consciousness. “Good work, Odysseus! Put us in our place!”

Hegel and Nietzsche picked up on this to some extent, and Nietzsche, as usual, had a good line about it: “Socrates is the revenge for Thersites…the ugly plebeian Socrates killed the authority of the wonderful myth in Greece.”

Simone Weil, siding of course with Thersites, had a good line too: “Reasonable words fall into the void.

But to go back to the scene itself, the most painful part does not seem to be the beating but the jeering, coming from the very people Thersites seemed to be speaking for. Every time you are shot down from a position of greater authority, every time you are chastised for speaking out of turn, each time you meet the ridicule of your own peers for questioning your superiors, each time you are put in your place, you are Thersites. And if you have never experienced this feeling, you should look closely at your life.

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Hans Blumenberg and His Myth Science Arkestra

I have an new article out at ReadySteadyBook: Hans Blumenberg and His Myth Science Arkestra.

I tried to give a reasonably concise introduction to his work. There are many nuances and complications that I left out, but I think I had a good go at describing why is work is significant and relevant.

___________________________

Hans Blumenberg and His Myth Science Arkestra

Hans Blumenberg was one of the most searching, omnivorous scholars and philosophers of the 20th century. His fundamental inquiry was simple and universal: “How do we come to terms with reality?” In attempting to answer this question, his books on myth, metaphor, science, and culture invoke an intimidating breadth of knowledge, plucking obscure quotes from obscure figures in multiple disciplines through the whole history of western civilization. Obscure theologians and astronomers brush up against James Joyce, Plato, Vico, and Goethe.

Blumenberg was one of those rare figures, like Robert Burton or Goethe himself, who was able to read widely across disciplines and time periods while maintaining a detailed sense of the internal conflicts and complexities of each particular domain….

Blumenberg’s departure point is what he terms “the absolutism of reality.” In his magnum opus Work on Myth, he defines the moment at which humanity faced absolute reality as the point at which humanity could no longer run away from the threats that it posed:

If we have to seek man’s origin in the category of animals that ‘flee,’ then we can comprehend that before the change of biotope [from jungle to savanna] all signals that set off flight reactions would indeed have the power of fear but would not have to reach the level of a dominating condition of anxiety, as long as mere movement was available as a means of clarifying the situation. But if one imagines that this solution was no longer, or no longer constantly, successful, then from that point onward the situations that enforced flight either had to be dealt with by standing one’s ground or had to be avoided by means of anticipation.

[continued at ReadySteadyBook]

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Ernst Cassirer and the Philosophy of Symbolic Forms: A Teaser

Ernst Cassirer was rather evidently a genius, and Michael Friedman’s summary of his magnum opus The Philosophy of Symbolic Forms makes me want to go through his work comprehensively, as soon as I have a large chunk of time. Part of the reason being just so that I can determine whether or not I agree with Friedman’s assessment. Also to do: compare and contrast with C.S. Peirce and Wilfrid Sellars, as well as his most obvious philosophical successor Hans Blumenberg.

Just as the genetic conception of knowledge is primarily oriented towards the “fact of science” and, accordingly, takes the historical development of scientific knowledge as its ultimate given datum, the philosophy of symbolic forms is oriented towards the much more general “fact of culture” and thus takes the history of human culture as a whole as its ultimate given datum.

The conception of human beings as most fundamentally “symbolic animals,” interposing systems of signs or systems of expression between themselves and the world, then becomes the guiding philosophical motif for elucidating the corresponding conditions of possibility for the “fact of culture” in all of its richness and diversity.

Characteristic of the philosophy of symbolic forms is a concern for the more “primitive” forms of world-presentation underlying the “higher” and more sophisticated cultural forms — a concern for the ordinary perceptual awareness of the world expressed primarily in natural language, and, above all, for the mythical view of the world lying at the most primitive level of all.

For Cassirer, these more primitive manifestations of “symbolic meaning” now have an independent status and foundational role that is quite incompatible with both Marburg neo-Kantianism and Kant’s original philosophical conception. In particular, they lie at a deeper, autonomous level of spiritual life which then gives rise to the more sophisticated forms by a dialectical developmental process.

From mythical thought, religion and art develop; from natural language, theoretical science develops. It is precisely here that Cassirer appeals to “romantic” philosophical tendencies lying outside the Kantian and neo-Kantian tradition, deploys an historical dialectic self-consciously derived from Hegel, and comes to terms with the contemporary Lebensphilosophie of Wilhelm Dilthey, Henri Bergson, Max Scheler, and Georg Simmel — as well as with the closely related philosophy of Martin Heidegger.

The most basic and primitive type of symbolic meaning is expressive meaning, the product of what Cassirer calls the expressive function (Ausdrucksfunktion) of thought, which is concerned with the experience of events in the world around us as charged with affective and emotional significance, as desirable or hateful, comforting or threatening. It is this type of meaning that underlies mythical consciousness, for Cassirer, and which explains its most distinctive feature, namely, its total disregard for the distinction between appearance and reality. …

What Cassirer calls representative symbolic meaning, a product of the representative function (Darstellungsfunktion) of thought, then has the task of precipitating out of the original mythical flux of “physiognomic” characters a world of stable and enduring substances, distinguishable and reidentifiable as such. …

We are now able to distinguish the enduring thing-substance, on the one side, from its variable manifestations from different points of view and on different occasions, on the other, and we thereby arrive at a new fundamental distinction between appearance and reality. This distinction is then expressed in its most developed form, for Cassirer, in the linguistic notion of propositional truth and thus in the propositional copula. Here the Kantian “categories” of space, time, substance, and causality take on a distinctively intuitive or “presentational” configuration.

The collapse of appearance and reality at the primitive level also echoes some schools of Buddhist philosophy that take a quasi-skeptical attitude toward ontology, e.g. Madhyamaka. Can the Kantian a priori and general categorical structure bear this sort of weight?

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