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David Auerbach on literature, tech, film, etc.

Category: Essays (page 2 of 46)

The 100 Most Important Words (to I. A. Richards)

Amount, Argument, Art, Be, Beautiful, Belief, Cause, Certain, Chance, Change, Clear, Common, Comparison, Condition, Connection, Copy, Decision, Degree, Desire, Development, Different, Do, Education, End, Event, Example, Existence, Experience, Fact, Fear, Feeling, Fiction, Force, Form, Free, General, Get, Give, Good, Government, Happy, Have, History, Idea, Important, Interest, Knowledge, Law, Let, Level, Living, Love, Make, Material, Measure, Mind, Motion, Name, Nation, Natural, Necessary, Normal, Number, Observation, Opposite, Order, Organization, Part, Place, Pleasure, Possible, Power, Probable, Property, Purpose, Quality, Question, Rea­son, Relation, Representative, Respect, Responsible, Right, Same, Say, Science, See, Seem, Sense, Sign, Simple, Society, Sort, Special, Substance, Thing, Thought, True, Use, Way, Wise, Word, Work.

I. A. Richards, How to Read a Page (1942)

Richards began with the 850 words included in C. K. Ogden’s “Basic English” lexicon, intended to teach foreigners the maximum amount of English with the minimum amount of vocabulary. He selected those which he deemed most abstract and multifaceted, those which possessed “extreme versatility and ambiguity.” In fact, a word’s risk of being misunderstood is a significant criterion for inclusion.

This systematic ambiguity of all our most impor­tant words is a first cardinal point to note. But “am­biguity” is a sinister-looking word and it is better to say “resourcefulness.” They are the most important words for two reasons:

1. They cover the ideas we can least avoid using, those which are concerned in all that we do as thinking beings.

2. They are words we are forced to use in explain­ing other words because it is in terms of the ideas they cover that the meanings of other words must be given.

I have, in fact, left 103 words in this list—to incite the reader to the task of cutting out those he sees no point in and adding any he pleases, and to discourage the notion that there is anything sacrosanct about a hundred, or any other number.

I. A. Richards, How to Read a Page

Richards calls out a handful of words—Soul, God, Time, Space—as being equally ambiguous and important, but not functioning as tools of thought. (In the case of Time and Space, I’m not certain I agree.)

Learning to read—like learning to see how the catch on a door works—is becoming able to grasp some of the ways in which the parts of a complex sys­tem are dependent upon one another. The experience from which skill in reading derives is, of course, a vastly more complex and potent growth of universals than anything the cat can develop. Nonetheless, as with the cat, though much more so, the secret of suc­cess lies in the stabilization of universals in the soul. But the universals which good reading calls for con­cern the wide general ways in which minor universals of less scope may and may not fit together. What counts most is not familiarity with the senses of words taken separately but knowledge of their interdepend­encies.

If we can see how we read or misread “cause,” “form,” “be,” “know,” “see,” “say,” “make” . . . how we omit or fail to omit in taking their meaning, we develop our experi­ence as readers better than in any other fashion. It is with these words that the major universals which should order our reading can best be held up for less ‘exclusive attention.’ These words, as we all know, vary their sense with their company. Their variations are patterns for all other words which follow the same forms. As these patterns grow in our minds they be­ come operative in thousands of places in connection with thousands of other words and without our ever being aware what unnamed forms have become our guides in interpretation.

I. A. Richards, How to Read a Page

This is not such a bad summary of why I have maintained that artificial intelligence has such a long way to go before it can comprehend and engage in human language. Human language has been constructed in the most ad hoc, holistic way imaginable.

Computers don’t manage so terribly with concrete and technical words, but what will AI do when it can understand those words and yet fall down on Richards’s list? What would language be like without those words?

Is that where human language is going under the influence of computers and AI?

A friend has suggested “Taste,” “Health,” and “Care” as worthy additions/substitutions to the list. I think “Value” and “Real” deserve a place. Do readers have other suggestions?

An Outline of 21st Century American History

Tanner Greer put together a very intriguing prospectus for a book of 21st century American history. I am inclined to think that we know very little about much of anything and our perspectives about the present are hopelessly blinkered, so I tend to avoid broad summaries except from oblique angles.

And yet I am fond of books like Karl Dietrich Bracher’s The Age of Ideologies that attempt exactly such a summary. It’s just that I think one must have a combination of age, wisdom, genius, and perspective in order to pull off such a book . I don’t have that combination, so an outline is the most I will offer.

What I have done is to take Greer’s prospectus as a starting point, then radically strip it down to those factors that I believe to have been decisive. The 2000, 2010, and 2016 elections, for example, have made a far greater impact than the others of this century.

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Pathologic 2 and Ostranenie

Pathologic 2 is a tight-knit confluence of many strange ideas–about bodies and disease, about acting and theater, about community and society, about individual and state, about children and grown-ups, about utopia and transcendence, and (of course) about life and death. Separating the strands is difficult and probably useless; the resulting game is something you accept as a whole, flaws and all, or reject.

And it’s easy to reject. Responses to the game have already divided into those who appreciate the game’s sheer uncanniness but find it hostile and difficult to the point of unplayability, and those who defend those decisions to the hilt as being the very essence of the game.

This dispute isn’t resolvable. A simple description of the game is likely to put off most people, while those who are entranced by it (including myself) can only shrug when presented with its faults, because those faults are what you put up with to get something you can’t get elsewhere—assuming you want that something. I can honestly say I enjoyed it a lot more than Nier: Automata, but I can’t convince you that you will. If it’s something that will appeal to you, you’ll probably know within the next few paragraphs. If it is, I think it’s worth the effort.

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Trump Diary: Trump Alone

Political media coverage over the last few months seems to have become more superficial than ever. I think this owes to the collective sigh of relief after the Democrats took back the House of Representatives, which took some of the pressure off of the tension between the tones of Apocalyptic Proclamation and Traditional Horse-race. So the coverage of Trump’s Game-of-Chicken government shutdown focused primarily on the latter, with a vague smidge of the former.

Which is to say that the most important stories are receiving far less coverage than facile ones. We hear much about Gillette advertising campaigns and McDonald’s lunches. We hear a lot less about John Bolton’s plans for war with Iran. This is very much the usual order of things, but as Trump supposedly represented a break with the usual order of things, the increasingly inessential nature of most media either shows how little we’ve learned or how little control we have over the doings of our own institutions.

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David Auerbach’s Books of the Year 2018

To be a true reader or writer today is to exist primarily in a state of longing and loneliness (sehnsucht, in the German term), because the vast majority of one’s closest associates are dead. Over the course of the 20th century the world of letters separated rather violently from the world of consequence, and so loving writing as writing requires either myopic self-delusion or an absurd appreciation for the spiritual residue of artistic impact. I don’t have the former in me, so it is the latter that drives me.

A remarkable amount of excellent archival issues came out this year, particularly in fiction and literature. The two placed in the pole position are not necessarily more deserving than many others. Rather, I chose them because they seemed to be most resonant with this year, despite being written decades ago. Both are very unorthodox Cold War retrospectives, both vaguely “documentary”-like, and yet animated by almost opposite sensibilities.

Ironically, I found Anniversaries to be a gloomier tale than Kolyma Stories, in the same way that gray is a gloomier color than black, or Faith is more enervating than Closer. Likewise, Johnson’s self-appearance in Anniversaries is more despairing than Shalamov’s varied appearances in Kolyma, because there is a certain abdication of moral authority Johnson took on in writing Anniversaries that is either disingenuous or terrifying. I think it’s the latter.

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