From Robert Musil’s Diaries, 1919

I do not ever know if it is my good spirit or my evil spirit that speaks these words within me. But it simply has to get out.

Since I awoke to life I have always seen things in an “other” way. That means: in places, clear criticism, in places, clear suggestions, well thought through. Some I have written down and published. But much more has remained at a level of dark antipathy. Half raised up, then sunk down into obscurity. Intuition sensing far-reaching connections that the understanding has not followed.

The understanding that has had the benefit of scientific training is loath to follow if it has not been able to build itself bridges for itself whose load-bearing capacity is calculated exactly. Here and there I completed the calculations for a single area of such a bridge; dropped the work again in the conviction that it is not possible, after all, to finish it. I could sit down and gather material in the way that it has been done in similar assiduous, large scale experiments — Wundt, Lamprecht, Chamberlain, Spengler.

But what remains when this is done? When the breath has evaporated with which one tried to bring such fullness to life, there is nothing but a dead heap of inorganic material.

The five-year-long slavery of the war has, in the meantime, torn the best piece from my life; the run-up has become too long, the opportunity to summon up all my forces is too short. To renounce or to leap, whatever then happens, this is the only choice that remains.

I renounce any systematic approach and the demand for exact proof. I will only say what I think, and make clear why I think it. I comfort myself with the thought that even significant works of science were born of similar distress, that Locke’s. . . . ¬†are in fact travel correspondence.

I want to develop an image of the world, the real background, in order to be able to unfold my unreality before it.

Robert Musil, Notebook 19 (1919)

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