Monthly Archives: September 2007

Walser on Kleist

A different side of Walser altogether: What he writes makes him grimace: his creations miscarry. Toward autumn he is taken ill. He is amazed at the gentleness which now comes over him. His sister travels to Thun to bring him home. There are deep furrows in his cheeks. His face has the expression and coloring [...]

Robert Walser: The Assistant

This novel was written in 1908. That seems just about right. And that’s odd for Robert Walser, because his other novels, whatever their connection to the German modernist and expressionist tendencies of their time, stand apart from their contemporaries. Walser does not fit into the puzzle in the way that Broch, Zweig, Canetti, Doblin, Roth, [...]

Heidegger on Mood

A human being who–as we say–is in good humour brings a lively atmosphere with them. Do they, in so doing, bring about an emotional experience which is then transmitted to others, in the manner in which infectious germs wander back and forth from one organism to another? We do indeed say that mood is infectious. [...]

Autonomy

An example of figure-ground reversal: Modernist art might even be defined by a loss of audience or loss of trust between audience and artist (as Cavell has famously suggested), making the question of trust, fraud, authenticity, reliability, and philosophical self-consciousness about art itself all wholly new sorts of aesthetic values, and ones that do not [...]